Celebrating Black History Through Music: The Project Music New Orleans and Jazz Tradition Concert

The Project Music New Orleans and Jazz Tradition Concert celebrates these influential musical genres while tracing the origins of this music to its African musical traditions stemming from the Ring Shout. The musical traditions from the ring shout such as call and response, shouting, blue notes, and collective improvisation have shaped the way all modern music in America is created, transferring the responsibility of creating music from one sole individual to the entire ensemble/community.
— Garrett Mendez, Artistic Director of Project Music

Immerse yourself in the captivating rhythms and timeless melodies of American music at The Project Music New Orleans and Jazz Tradition Concert, set to take place on February 23rd at 6pm. This exceptional event not only pays homage to the rich and diverse musical heritage rooted in African traditions like the Ring Shout but also serves as a poignant celebration of Black History Month. In partnership with the Boys and Girls Club of Stamford, this concert symbolizes a collaborative effort to honor the profound contributions of African American musicians.

From the spirited exchanges of call and response to the spontaneous creativity of collective improvisation, these musical traditions epitomize the resilience, creativity, and cultural richness of the African American experience. Black History Month provides a meaningful opportunity to reflect on the legacy of these traditions, acknowledging their enduring impact on the global musical landscape and beyond. Join us as we come together to honor and celebrate the invaluable contributions of African American musicians, amplifying their voices and stories while commemorating their indelible mark on the tapestry of American culture.

Repertoire Features:

The repertoire will include "Furioso" by Robert W. Smith, "Second Line" by Paul Barbarin, "Liza Jane," "Whoopin' Blues," and "Joe Every Blues" (all traditional pieces), "Largo" from Dvorak's New World Symphony (Second movement), "I Will Fly Away" by Albert E. Brumley, "Satin Doll" by Ellington/Strayhorn, and "Dat Dere" by Bobby Timmons.

 

As a tribute to:

Bobby Timmons

Was an American jazz pianist and composer, was a key figure in the development of the soul jazz genre. His distinctive style and infectious grooves helped define the sound of the era, leaving a lasting impact on jazz music.

Paul Barbarin

A legendary jazz drummer, was a prominent figure in the New Orleans jazz scene during the early 20th century. His innovative rhythms and energetic performances helped shape the sound of jazz, leaving an indelible mark on the genre.

Duke Ellington and Billy Strayhorn

Renowned figures in the realm of jazz composition, united their talents to craft the enduring classic "Satin Doll." This iconic collaboration between Ellington's pioneering orchestral arrangements and Strayhorn's rich harmonic textures yielded a composition celebrated for its sophisticated melody and infectious rhythm. "Satin Doll" remains a testament to the remarkable creative synergy between these two musical luminaries, captivating audiences with its timeless elegance and enduring appeal.

The function of education is to teach one to think intensively and to think critically. Intelligence plus character—that is the goal of true education
— Martin Luther King Jr. "The Purpose of Education,"
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